Op-ed: Rethinking the Shame Game

Op-ed: Rethinking the Shame Game

This past Wednesday, The Advocate ran an op-ed I wrote regarding the inherent flaws in the concept of LGBT people slinging back hate and shame at those who do the same to them. While The Advocate added an incredibly misleading subtitle about “turning the other cheek” (not something that I ever intended, because that implies passive acceptance of poor treatment rather than productive and peaceful challenging of it), the experience was quite interesting. Angry and hurt people who were supposedly part of my community tried to tear me to shreds in a way that illustrated the very point I was making, and people who said they agreed with my position told me they were nervous to share the article, because they didn’t want the negative comments to make them appear homophobic.

I will definitely have more to say on this matter, but for now, here is a link to the article and the comments! Take from it what you will.

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The Confessions of Jonathan Flite: FREE 50-Page Preview!

The Confessions of Jonathan Flite: FREE 50-Page Preview!

I’m thrilled to share with you the first preview of my upcoming novel, The Confessions of Jonathan Flite! It’s the first in an explosive new YA/Adult crossover series that deals with the global clash—and eventual meeting—of science and spirituality. The story, set against a nuclear terrorist attack in Geneva, Switzerland, follows a Rhode Island juvenile delinquent named Jonathan Flite, who is born in 2020 with memories of seven teenagers who vanished mysteriously halfway across the country, ten years before his birth.

I’ve been working on this series for over a decade, and I’m thrilled to release this first preview exclusively on my website. Keep an eye out for the full book, coming summer of 2014!

 

Click here for the FREE 50-page PDF preview!

 

Thanks for checking it out, and be well!

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Thank you to THE ADVOCATE!

Thank you to THE ADVOCATE!

Last Wednesday, I got an email from David Artavia of The Advocate. I had been in touch with the magazine’s editor in chief last year regarding my novel The Breeders and possibly writing something for them, but I thought I had stupidly burned a bridge by letting my slew of 2012 life curveballs temporarily derail that effort. Mr. Artavia, however, was emailing to give me and a number of other authors a preview of the June/July magazine section we had been a part of.

WaitWHAT? I thought.

I clicked on the link David had included and was thrilled to see that The Advocate’s Clea Kim and Diane Anderson-Minshall had been kind enough to feature The Breeders on a new list titled “20 Must-Read Books We Missed Last Year.”

Crazy!

I’m incredibly humbled to be on the list, and I’m so appreciative of everyone at The Advocate who took the time to read my book and deem it worthy of such an honor! Without further ado, here is the link to their feature. Be sure to check out all the other great books, too!

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The Rub With Paper: POD, Print Runs, Trade Discounts, and Returns

The Rub With Paper: POD, Print Runs, Trade Discounts, and Returns

We all have a dream of seeing our books in print, right? It’s an exciting time to be a writer, and you now have more options than ever before in publishing high-quality hardcovers or paperbacks. But with them comes an array of details you should be aware of prior to making any decisions!

POD

For many indie publishers, print-on-demand (POD) is a great option to have a professionally-printed book without having to pay thousands of dollars for an initial print run. While the cost of printing per book is higher than with standard offset printing, the money saved on both up-front printing and warehousing/distribution can be worth it. If you are on a budget but still want to have a printed book available, this is your best bet. Printing costs are taken off the front end of each sale, so there are no costs for you to pay out-of-pocket. The two major POD printers/distributors are Amazon’s CreateSpace and Ingram’s slightly more robust subsidiary, Lightning Source.

Pitfalls of POD and the Returns System

The biggest pitfall of POD is that making a book returnable to the warehouse, which is required for any major bookstore to stock a title, can bankrupt you. CreateSpace doesn’t allow for POD books to be returnable, but Lightning Source does. Say your Lightning Source book costs $7.00 to print on demand, and you’ve marked it as returnable. You’ve done a stellar job with marketing, and Barnes & Noble orders 3,000 copies for its stores. They end up selling only 1,000 of them, so they return the remaining 2,000 at your cost. Not only does Lightning Source shred these and simply print/ship you new copies, but they also charge you for the freight. Which means you would be out the cost not just of freight but also of printing. That’s freight + $7.00 x 2,000, or $14,000—a terrible loss. Thus, it would be a big mistake to make your POD book returnable. The downside is that most physical bookstores will never stock your book.

But POD Has Benefits! 

So, why consider POD at all? Because the costs are minimal, and your reach is global. Amazon’s CreateSpace, while having a more limited global reach for its free distribution, doesn’t charge a title setup fee. Lightning Source charges only a small title setup fee, an even smaller annual catalog fee, and $40 every time you upload a print file (either cover or interior). Even so, both options can make your book available anywhere in the world at the click of a button. Lightning Source, being a subsidiary of the behemoth distributor Ingram, ensures your book is listed as in-stock and available with retailers at all times. They can print within hours and ship overnight. Lightning Source also gives you multiple print options, including hardcovers with dust jackets and matte laminated covers.

Print Runs

If you don’t choose POD printing, you can also do a normal print run of your book, just as any other publisher would. You then would have the option of storing and selling the books yourself, or paying for warehousing and distribution, which could make it feasible for your book to be returnable (and thus stockable at bookstores). Keep in mind that warehouses charge for storage, freight, and return freight.

But Wait! You Can’t Forget About Trade Discounts

If all this wasn’t enough to make your head spin, you must also consider your book’s trade discount, which all major retailers require in order to list it for sale. All books sold through the usual retail channels, whether they’re POD or warehouse-distributed, will have a trade discount, usually 40% – 55%. Booksellers buy them at this discounted rate, then sell them for full price to make money.

As a self-publisher, you are responsible for your print costs. This combined with selling your books to retailers at a discount affects your bottom-line return. If you set your book’s cover price at $16.00, retailers might buy it for $8.00. If you choose POD, your book might cost $6.50 to print, and you would receive $1.50 per sale. If you choose offset printing and warehouse distribution, printing might cost $3.00 per book, and you would earn $5.00 per sale. Even so, the costs of freight, warehousing, and other peripheral services can eat into this profit. Discount rates can vary between POD and traditional printing, but it is essential that you are aware of them! For a long (but helpful) explanation, follow this link.

As You Can See…

There are pros and cons to each method of book printing. Figure out your priorities (Do you want to try selling in bookstores, or do you want to aim mostly for online sales?), and then make the leap!

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5 Things To Do Before Publishing

If you are reading this blog, chances are you’ve written something, and you want to pursue publication. But here’s some advice: don’t jump in right away! If you are hoping to earn credibility as a writer, there’s a lot you can (and probably should) do before making reality out of your publishing dreams. Here are my top five pieces of advice!

1. Write your book. Then rewrite it. Then get feedback from test readers who aren’t afraid to tell you which parts suck. Then, rewrite or revise again. 

The first part is obvious. Unless you’ve sold your book to a publisher based on a few sample chapters and an outline (this does happen with nonfiction), you’re going to have to rattle out those words. Know that 50,000 words is probably the minimum you want to go for any “grownup” book, and 120,000 words is probably the max, unless you are J.K. Rowling. When you’ve finished a draft, take a red pen to it yourself, then rewrite it from scratch while looking at the edited draft. You’ll be shocked at what can happen in this phase! It will help you tighten up plot points, themes, and general consistency. The feedback you’ll get from test readers after this step will be more valuable than if you sent them a first draft, because you’ll already have done your best to fix any flaws. Your test readers might see problems you didn’t, and they might raise questions you never thought of. Once you figure out which suggestions are worth heeding, you’ll have new tools to help subsequent revisions. After a few rounds of this, your manuscript will start to sparkle!

2. Read some of the great editor and agent blogs out there!

It may serve you well to do this concurrently with #1. Whether you want to pursue a traditional publishing deal or self-publish, your writing absolutely will improve if you learn what attracts industry bigwigs to a manuscript. The first agent blog I ever read “cover to cover” was that of Miss Snark, and it forever changed the way I think about writing and selling books. I also learned crazy amounts from Nathan Bransford, BookEnds LLC, and Kristin Nelson. You’ll learn how to gut your book into a single paragraph (which you’ll have to to do anyway for the back cover synopsis), how to grab readers on the first page, and how to blend passion with product. If you hope to release a book that sells, read these now! Note that some of these blogs are finished, and you’ll have to read backward through the archives.

3. Learn all you can about the publishing business!

When I decided to write my first book (which is still currently in its eleventh or twelfth draft), I knew nothing about the actual publishing business. I did my Googling, learned a hell of a lot by reading agent and editor blogs (see #2!), and thought I had a good idea what I was in for. When I decided to treat my fourth written novel The Breeders as an experiment and publish it independently, I realized just how much I still didn’t know. I almost worked myself into the ground learning how to design print and electronic books, how trade discounts and the returns system worked, and how to navigate the available options for international print and electronic distribution. Whether you publish traditionally or independently, learn about the business upfront! It will save you from surprises and disappointments down the line, and it’ll give you a leg up on figuring out your strategy.

4. Realize that the work is just beginning! 

If you are aiming to gain respect and make a name for yourself, your work will go well beyond publishing. Selling your book will require people to know about it. If you don’t have a traditional publisher that offers help with marketing, you’ll have a lot to do: writing press releases, sending your book out for reviews, building a website, building and maintaining your social media presence, and creating custom graphics for business cards, flyers, or the web. This is before you try to sell in bookstores or seek out that miraculous celebrity who will promote your book and catapult you to fame. Sometime during all this, you may want to write another book. If you are balancing all this with a day job, it can quickly become overwhelming. (I learned this the hard way.) Just prepare for it before you publish, and set standards for yourself to maintain a life balance!

5. Gauge your options!

Gone are the days when your only option to publish is to wait for an agent or editor to love your book, all while you sit on your bum, craving validation and wondering if you’ll ever make anything of yourself. These days, if you are talented, driven, and can afford to hire editing and design help, you can independently publish a book that is just as good as anything coming out of New York. Even so, it can be extremely difficult, and you’ll probably have only a fraction of the marketing power a traditional publisher could offer. You probably won’t have the clout to shop around your book’s film and foreign publishing rights, and getting it into brick and mortar bookstores will also be difficult. So, as stated in #3, learn about the business. Figure out if you’d rather sit and wait for your big break or if you’d rather make it happen yourself. No route is set in stone, and it will be an adventure either way!

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